NAFISA MUHTADI discovers the power of ugly prose: ‘The more I read short stories that are written in the lyrical style beloved by some competition judges, the more I crave ugliness in prose. Poetic narratives with windswept thoughts lyrically describing landscapes, rivers and seas are not for me…’
JULIET WEST ponders the role of women in George Saunders’ latest collection, Tenth of December: ‘I marvelled at the breakneck prose, the dark humour, the searing satire on Western consumerism. Yet, as I read, I began to experience an increasing sense of unease. At times, I felt as if I had landed in the fantasy world of a deviant male adolescent…’