Feature Writing Competition 2017
NOW CLOSED: You have until Sunday 05 March, 11:59pm (GMT) to submit your feature essays for the 2017 THRESHOLDS International Short Fiction Feature Writing Competition…
NOW CLOSED: You have until Sunday 05 March, 11:59pm (GMT) to submit your feature essays for the 2017 THRESHOLDS International Short Fiction Feature Writing Competition…
NICOLA DALY looks at the life and short stories of Janet Frame: ‘Frame engages her audience by peppering the stories with both tragedy and humour and by using real characters and events to which the reader can relate…’
GARY BUDDEN and GEORGE SANDISON, the editors of Unsung Stories – publishers of literary and ambitious speculative fiction – share their tips on submitting to literary journals and magazines, and how to accept that dreaded rejection letter.
MIKE SMITH finds a pivotal turning point in Elizabeth Bowen’s Collected Stories: ‘I’m struck by a sense of Bowen’s trajectory being on a downward curve. Individual stories are strong, but the sense of an ending coming is stronger…’
We are delighted to bring you this exclusive interview with JANE GARDAM, winner of the Charleston-Chichester Award for a Lifetime’s Excellence in Short Fiction, recorded at the Small Wonder Short Story Festival last September…
SHORT STORY FESTIVAL: This year, the Small Wonder Festival gets underway on Wednesday 28th September – grown from a long-weekend to a five-day celebration of the exquisite short story form…
JULIA ANDERSON tells us of her admiration for Joanna Campbell’s ‘When Planets Slip Their Tracks’: “Every story in When Planets Slip Their Tracks is significant; there is nothing weak or wordy here…Every one of these twenty-four short stories tugged on all of my emotions…”
PROFESSOR CHARLES E. MAY explores the short fiction of Rudyard Kipling: ‘Kipling was perhaps the first English writer to embrace the characteristics of the short story form whole-heartedly, and that thus his stories are perfect representations of the transition point between the old-fashioned tale of the nineteenth century and the modern short story…’
JANIS LANE examines tragedy in Rose Tremain’s short stories from The American Lover collection: ‘These tragedies are threaded throughout, ranging from high drama and death, to minor inconveniences, such as the departure of a spouse or lost love. The uniting factor is the characters’ vulnerability, and, often, a lack of control over their own destinies…’
FARAH AHAMED examines the feminist roots of Shashi Deshpande’s short stories: ‘What we want to reach at finally is the telling, the breaking of silence.’