Shame and the Modern Ache

ARIELLA DIAMOND gives a personal response to Rob Doyle’s short story collection This is the Ritual and examines its relationship to Joyce’s Ulysses: ‘The influences of Ulysses on this collection of stories is hard to ignore and, in its way, it is a kind of homage to the King of Modernism, it is a step forward into the future of Ulysses and I love every inch of it…’

The Tragedy of Dorothy Edwards?

FRANCES GAPPER explores the life and writings of Dorothy Edwards: ‘Hovering awkwardly on the fringe of the Bloomsbury Group, virtually penniless and dependent on a friend for accommodation, Dorothy Edwards lacked the two things Virginia Woolf considered vital for a woman writer of fiction: money, and secure private space…’

Blurred Boundaries

K.S.DEARSLEY probes the hidden depths in D. H. Lawrence’s ‘The Prussian Officer’:’…any reader expecting to find explicit sex will be disappointed. Lawrence’s writing is far more subtle, working by the power of suggestion, so you could make a case to say that the only sex in the tale is what the reader’s imagination brings to it…’

Chalk Mother

HANNAH BROCKBANK tells us why she admires ‘Chalk Mother’, an intense character driven short story by Liza Cody: ‘The environment crackles with connection and purpose but the daughter cannot fully be part of it. Instead, she frets about missing school. This important image transcends physical description and shows us what makes the narrator tick and what situations allow her to connect with the world…’

No Mean Feat

TRACY FELLS finds the weird, the wonderful, the down-right uncanny, and the harshness of reality in Melanie Whipman’s collection Llama Sutra: ‘To me, this collection should be read only for pleasure, but also for instruction. If you’re a fiction writer hoping to hook the interest of a competition judge then you should study this collection with an analytical eye, learn what makes a winning short story…’

Stories of Music and Nightfall

KATE LUNN-PIGULA discovers the harsh reality of Kazuo Ishiguro’s short story collection, Nocturnes: ‘it isn’t shocking or political or sexy … It is gentle and mature: not the crazy anecdotes of up-and-coming rock stars, but dejected notes of people who haven’t fully realised their adolescent dreams. It’s a coming-of-(middle)-age collection concerned with life’s smaller anxieties…’