A historic archive: 9 Years of Short Story Features, Expertise and Support for the Form
NAFISA MUHTADI discovers the power of ugly prose: ‘The more I read short stories that are written in the lyrical style beloved by some competition judges, the more I crave ugliness in prose. Poetic narratives with windswept thoughts lyrically describing landscapes, rivers and seas are not for me…’
TRACY MAYLATH guides us through the second-person narratives of Lorrie Moore’s Self-Help: ‘Everyone speaks in ‘yous’: ‘you feel’ when they mean ‘I felt’, ‘you know’ when they mean ‘I want you to understand me’. Perhaps that’s why we find it irritating in literature…’