WRITING EXERCISE: SHAUN LEVIN, creator of the Writing Maps guides for writers, looks at movement in short stories and how to check you’re getting enough: ‘Kafka manages, in a 181-word story, to include an account of: 1) what is happening, 2) questions regarding what might actually be happening, and 3) a mention of what had been happening before all that is happening started…’
TIM LOVE explores the ground-breaking stories of Lydia Davis and finds that her writing defies easy categorisation: ‘Davis sometimes isolates a sentence or idea, removing it from its context, a concept that’s analogous to placing it on a plinth in the white-space of an art gallery.’
THRESHOLDS EXCLUSIVE: Guardian columnist and short story writer Chris Power discusses the state of the short story and why the dominant narrative of imminent death or blazing renaissance should be rejected…
