STORY DISCUSSION: Author MARY O’DONNELL discusses the importance of place in the short story: ‘…That’s what’s needed when we consider ‘place’. A knowledge of it as intimate as our own skin, and a sense of how to get behind that skin as we turn the wheels of imagination and bring into being a work which will be all the more memorable for having been defined by place.’
MIKE SMITH finds a pivotal turning point in Elizabeth Bowen’s Collected Stories: ‘I’m struck by a sense of Bowen’s trajectory being on a downward curve. Individual stories are strong, but the sense of an ending coming is stronger…’
‘Elizabeth Bowen’s commitment to the short story was extraordinary. Best known for her novels, she has said, according to Lee, that she would give up any of these for her short stories…’ AIMEE GASSTON draws us into the life and writing of Elizabeth Bowen.
MIKE SMITH learns much from Elizabeth Bowen’s collected works on the art of beginning a short story: ‘The beginnings of stories, and not only short stories, was the first facet of fiction that I began to consciously study, rather than merely notice…’
MARCELLA O’CONNOR shows us that Bowen’s ‘The New House’ isn’t as straightforward as it first appears: ‘a closer reading reveals that it is actually a radical literary experiment where the setting is used to tell the story of a man’s phantom pregnancy…’
