BRENDAN O’DEA takes us to Venice for a closer look at Daphne du Maurier’s spine-chilling short story, ‘Don’t Look Now’: ‘The ensuing action throws John, and the reader, into confusion. The denouement is delivered with panache, and is so devastating that it looks inevitable, almost predestined, permitting everything which preceded it to fall neatly into place…’
NICOLE MANSOUR takes a look at Chris Power’s Debut Collection, ‘Mothers’: ‘Throughout this collection, we encounter characters who have arrived at the intersections of their lives. They are people who find themselves in unfamiliar landscapes, or who have become isolated…’
COMPETITION SHORTLIST: The THRESHOLDS International Short Fiction Feature Writing Competition is now in its seventh year – celebrating all that the short story form has to offer and awarding one deserving essayist the top prize of £500…
WRITING EXERCISES: PATRICIA ANN MCNAIR offers a strategy to bring structure to short stories: ‘When a student says they don’t have anything to write about, or when I get stumped myself, I know that it is not content we yearn for, it is structure…’
GINA CHALLEN looks at new stories and essays inspired by the work of Joseph Conrad in the anthology, Conradology: ‘Not only do the writers embrace the spirit of his legacy by way of style and setting, but take his recurring themes, and see them with fresh eyes…’
TRACY FELLS looks at Erinna Mettler’s short story collection 15 Minutes : ‘These short stories are well paced, with intriguing characters, settings and storylines that compel you to keep reading…’
Over the past weeks, the team of THRESHOLDS judges has been busy reading and re-reading the entries, debating and deliberating. Now, we bring you the 2018 THRESHOLDS Features Award longlist.
DAVID FRANKEL recommends The Dark Blue Winter Overcoat & Other Stories from the North: ‘The stories gathered here depict the struggle for survival against the environment and ourselves, fusing traditions and blending reality and fantasy…’
ARMEL DAGORN reveals the cruelty within two poignant short stories, one French, one Irish: ‘Picture this: a man steps out, and maybe it’s a good day, and the stars, or traffic lights, align, and all the simple pleasures of a sweet summer morn are revealed to the purposeful flaneur.’
