Vintage Borges
‘A story about opposites: the hellish North versus the open skied South, reality versus the world of dreams, life versus death…’ LOUISE HEGARTY explores the conflicts and mysteries in Jorge Luis Borges’ short story ‘The South’.
‘A story about opposites: the hellish North versus the open skied South, reality versus the world of dreams, life versus death…’ LOUISE HEGARTY explores the conflicts and mysteries in Jorge Luis Borges’ short story ‘The South’.
DREW WHITTET goes beneath the surface of Michael Moorcock’s ‘London Bone’: ‘Moorcock has many different styles, priding himself on his flexibility. He enjoys sticking with familiar characters, often dropping them into weird and uncomfortable settings…’
ANUSHREEE NANDE gets under the skin of ‘Witness Protection’ by Guy Ware: ‘The narrative revolves around Henry and Stella, and their seemingly routine life that hides secrets, lies and, possibly, violence…’
CAROL FENLON finds love amongst the guilt and loss in Carys Bray’s short story collection, Sweet Home: ‘These are stories of family life, at times utterly domestic. Yet the reader soon finds that the homes described are far from sweet…’
VICKI HEATH examines Once Upon a Time There Was a Traveller, the 2013 anthology of Asham Award-winning stories: ‘As I read, I considered each story carefully, wondering what made these particular pieces stand out for the judges…’
Short story writer, novelist and creative writing lecturer SALLY O’REILLY ponders the writer’s notebook: ‘For most writers, a notebook is the closest thing we have to an artist’s sketch book, and the equivalent of a studio…’
STEPHEN DEVEREUX explores the enigmatic world of D.H. Lawrence’s short story ‘Fanny and Annie’: ‘It is, I would argue, one of the best short story openings in English. What does it tell the reader? Nothing. And everything…’
‘…the characters express themselves in broad Nottinghamshire-Derbyshire Coalfield. However, it is not so much the language, but the use of language that excites me…’ MIKE SMITH takes an insightful look at the use of language in D.H. Lawrence’s short story ‘Odour of Chrysanthemums’